harryburden.art

Oil painted with fingers on canvas

2025

Oil on cotton board- painted with fingers

2024

Oil on canvas- painted with fingers

85 x 70cm (tbc)

2024

Ceramic & glaze

Ongoing series

2019

Oil painted with fingers on cotton board

56.5 x 40cm

2024

Oil painted with fingers on cotton board

56.5 x 40cm

2024

Oil painted with fingers on cotton board

102 x 76cm

2024

Oil painted with fingers on cotton board

56.5 x 40cm

2024

Oil painted with fingers on cotton board

56.5 x 40cm

2024

Oil painted with fingers on cotton board

56.5 x 40cm

2024

Oil painted with fingers on cotton board

56.5 x 40cm

2024

Oil painted with fingers on cotton board

56.5 x 40cm

2024

Oil painted with fingers on cotton board

56.5 x 40cm

2024

Oil painted with fingers on cotton board

56.5 x 40cm

2024

Oil painted with fingers on cotton board

56.5 x 40cm

2024

Oil painted with fingers on cotton board

56.5 x 40cm

2024

Oil on cotton board- painted with fingers

56.5 x 40cm

2024

Ongoing series using dirty water (from cleaning gallery & museum floors) as paint to cover their white walls

Series of performance action paintings consisting of cleaning a gallery floor and wiping the dirt on to the gallery walls. Various venues including The Museum of Contemporary Canadian Art

February 1 – March 24, 2013

This group exhibition featuring a new generation of British artists diversely posits a schism between the Modern and Contemporary through the spectacle of redevelopment, urban shrines, sexuality, and celebrity culture. With allusions to the grotesquely beautiful and exploring the darker side of kitsch, Are You Alright? reveals a trend of disillusionment with contemporary British society. Curated by Canadian artist Derek Mainella and British artist Elizabeth Eamer, the works in this exhibition emerge from the darkness as a unique articulation in art itself, granting passage to coherence by virtue of a kind of introspection that is anything but Postmodern. Yet somehow, among the splenetic observations of the mores and fascinations in contemporary life, the work may also be seen as a kind of paean to art as cultural critic. These artists, in whatever way they may be affected by the cultural environment, no longer seek to simply expose the external elements, they seem to express an interest in how these external elements are revealed in the work – either through process or concept. Following the YBAs, this next generation of artists work with their own hand – there are no armies of art-slaves under their charge. Instead, we see a collection of artists working obsessively in quiet studios, diligently researching and examining strategies of expression in art history and redeploying them in a complex response to the assault of contemporary culture.

Artists:

Boo Saville/ Caroline Achaintre/ Clem Crosby/ Dawn Mellor/ Elizabeth Eamer/ Graham Dolphin/ Harry Burden/ James Unsworth/ Jonathan Baldock/ Justin Mortimer/ Laura Oldfield Ford/ Tom Gidley

Curated by Derek Mainella and Elizabeth Eamer

Oil paint, Sapele wood

2023

Oil paint, Walnut wood

2023

Inkjet print, recycled cardboard,

2023

Cardboard and laser jet printed paper

Ink jet on paper on cardboard, (Installation shot)

2023

Singularity Sculpture (Reynolds & Roger Rabbit)

Bitch ply, Digital print out

2023

Magic Position exhibition view

Two person show with Kathi Hofer- curated by Hannes Ribarits

Rose Lipman building, 2023

Oil paint on digital printed canvas,

2020

A Constellation of Multiple & Unstable Positions

Oil paint on digital printed canvas

2019

Oil on digital printed canvas, 140 x 90cm

Digital Head

Oil on digital printed canvas, 140 x 90cm

2020

User Anonymity

Oil on digital printed canvas

2019

Historic Pixel

Digital Print

2014

Digital print on archive paper,

594 x 841mm

2022

Digital print on archive paper,

594 x 841mm

2022

Double sided OSB wood cut out with digital printed paper collage

Exhibited in One Night Stand, London, 2018

Co-organised with Francesca Gavin

Exhibiting artists

Alastair Mackinven, Amy Houmoller, Charles Veyron, Daniel Lipp, David Noonan, Emily Taylor, Frank Hannon, Hannes Ribarits, Herbert De Colle, James Unsworth, Jeremy Deller, Kathi Hofer, Nicholas Hatfull, Pat Foster, Peter Davies, Renee So, Robert Holyhead, Sanne Maloe Slecht, Sara Knowland, Seana Gavin, Steve Claydon, Stewart Cliff

Flat Pack Physics- Engles Magnet Sylvester Freud Carpet

OSB double sided wood cut out, giclee prints on cotton paper, imagery pulled from internet

2019

Digital Trash

Ongoing series of found stainless steel trash can painted in colour flip paint, filled with printed files from current computer trash,

2016

Collected ceramic vases, 3D printed Z-corp powder doubles, Absolute Purpeleen paint, Size varies, 2015

“This work explores the capacity for the transition of objects from the virtual world to the physical world. Inexpensive vases, purchased from Ebay, listed as ‘broken, damaged or chipped’. The original owners still felt they retained some value even though these objects were visibly cracked and damaged. Once they were acquired by the artist, Burden digitally scanned the objects, 3-D printing in z-corp powder copies or doubles of the ‘original’ which were then refined and sprayed in a ‘digital’ chromatic paint. Burden is interested in the transitional aspects of a 3-D physical experience of the world to a virtual 2-D online experience and presents works that play with the contradictions involved. He often uses objects and their digital reproductions found on the internet to create works that play with this duality of experience and its effect on culture, perception and identity.” Studio Leigh catalogue text 2015

2015

Integral Accident

Negative casts of car crash bonnets in jesmonite, digital paint

2010

Exhibited:

E-Vapor-8, curated by Francesca Gavin

https://www.sitegallery.org/exhibition/e-vapor-8-curated-by-francesca-gavin/

Participating artists: Fatima Al Qadiri and Sophia Al-Maria, Harry Burden, Rhys Coren, Petra Cortright, Jeremy Deller, Adham Faramawy, Alexandra Gorczynski, Marisa Olson, Hannah Perry, Christian J. Petersen, Travess Smalley, Lucy Stokton, and Daniel Swan

EXHIBITION • 07 JUN 2014 – 16 AUG 2014

Objects bought and shipped from ebay (requested not to be safely packaged),

2016

Collected items and packaging bought from ebay, packaging tape

 Exhibited: Hands_Off!

Room of Requirement@HORSEANDPONY Fine Arts, Berlin

MARCH 13 - APRIL 05, 2015

Purchased ebay item broken in transit, super glue

Purchased ebay item broken in transit, super glue, packaging

2015

Purchased ebay item broken in transit, glue

2015

Printed Poster series (Modernist sculpture mixed with Cleaning products)

Exhibited at Museum of Contemporary Canadian Art (MOCCA)

2014

Used museum cleaning mops, colour dye, plywood,

 Exhibited: New Art from Britain, MOCCA, Toronto (CA)

http://museumofcontemporaryart.ca/exhibition/are-you-alright-new-art-from-britain/

Used museum cleaning mops, fluorescent dye, plywood

Exhibited: The Dark Cube curated by Francesca Gavin, Palais de Tokyo, 2012

https://www.interviewmagazine.com/art/dark-cube-palais-du-tokyo

Food colouring overflow from production of Dirty Fucking Hippies, mountboard

Exhibited: Palais de Tokyo, 2013

Duck Cluster

Plaster, toilet cleaner liquid, artist made plinth with reverse glass painting

Vomitorium series

Cast stone & plaster sculpture, drilled and remixed with plaster

TV Chair

TV, found chair, DVD & DVD player, 2004-6